![]() Régis Duprat for the full and sustained support he has given to my intellectual development since my undergraduate studies in Brazil, helping me to build my musicological career. _ ProQuest Information and Learning Company 300 North Zeeb Road PO Box 1346 Ann Arbor, MI 48106-1346įirst I would like to thank all the scholars who have helped me, in one way or another, to formulate the questions that I have pursued in this study, although I hold the sole responsibility for any of its shortcomings. This microform edition is protected against unauthorized copying under Title 17, United States Code. _ UMI Microform 3064681Ĭopyright 2003 ProQuest Information and Learning Company. The University of Texas at Austin December, 2001Ĭopyright 2001 by Volpe, Maria Alice All rights reserved. de Sá Regoĭissertation Presented to the Faculty of the Graduate School of Music The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of ![]() Antokoletz Hanns-Bertold Dietz Michael C. Indianismo and Landscape in the Brazilian Age of Progress: Art Music from Carlos Gomes to Villa-Lobos, 1870s-1930s The Dissertation Committee for Maria Alice Volpe certifies that this is the approved version of the following dissertation: ![]()
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